EMR CD081 | DETAILS
  EMR CD081
   
 

OF DELIGHTS AND PASSIONS

   
  English Piano Trio
   
  EAN 5 060263 500766

EM Records is delighted to announce its first disc of chamber works by the British composer Rutland Boughton (1878–1960), performed by the renowned English Piano Trio.

 

Often regarded as the composer who tried to create Britain’s first “English Bayreuth”, Boughton is best remembered today for his highly successful Festivals at Glastonbury (1914–1926) and for his record-breaking Celtic opera “The Immortal Hour”. At the height of his career, Boughton became hugely popular, surpassing even his rivals and friends Holst and Vaughan Williams; yet, apart from his two early string quartets and his oboe works, composed for his talented daughter Joyance, Boughton is not generally recognised for his chamber music, of which there are over 20 individual pieces. This disc seeks to bring these works to new prominence, with first recordings of the Sonata for Violin and Pianoforte, the Sonata for Cello and Pianoforte, and the Trio for Violin, Cello and Piano presented alongside two shorter, but not less delightful, pieces: “Winter Sun” and “Celtic Prelude”.

 

The recording was instigated and sponsored by the composer’s grandson, Ian Rutland Boughton, who inspired the English Piano Trio to bring the project to fruition.

TRACK LISTING AND AUDIO EXTRACTS
     
Rutland Boughton (1878–1960)
TRIO FOR VIOLIN, VIOLONCELLO AND PIANO (World Première recording)
1. I. Allegretto sostenuto  
2. II. Allegro spiritoso  
       
SONATA IN D MAJOR FOR VIOLIN AND PIANOFORTE
(World Première recording)
3. I. Quick and Passionate  
4. II. Slow and Severe  
5. III. Fairly Quick  
       
SONATA FOR VIOLONCELLO AND PIANO
(World Première recording)
6. I. Allegro marcato  
7. II. Poco adagio  
8. III. Allegro molto  
       
9. “CELTIC PRELUDE” (World Première recording)  
       
10. “WINTER SUN” (World Première recording)  

 

REVIEWS
Beautifully shaped by Benjamin Frith... Beguiling sounds, graced by the tawny richness and unexaggerated line of Richard Jenkinson’s cello playing... The sense of purpose and sureness of line of Ian Venables’ music is pure oxygen.
EMR CD31 | BBC MUSIC MAGAZINE
Exquisitely rewarding... Ravishing accounts.
EMR CD029 | CHOIR AND ORGAN
This is music of great beauty and integrity and the performances fully do it justice. It would be criminal to let it pass you by.

EMR CD028 | INTERNATIONAL
RECORD REVIEW

The Bridge Quartet approach these pieces with a sympathetic and insightful warmth, and confirm their ambassadorial credentials for British chamber music. A lovely, radiant disc.
EMR CD025 | Gramophone
Duncan Honeybourne’s playing is astonishingly affectionate, yet never saccharine... Honeybourne plays with suave confidence.
EMR CD024 | INTERNATIONAL PIANO
Rupert Marshall-Luck is an ideal interpreter: generously but not effusively lyrical; agile and athletic... The warm, folk-song like slow movement is at times almost painfully beautiful, with a shimmering pastoral central section... Marshall-Luck is, again, indefatigable and keenly picks up on the work’s melancholic strain.  Finely recorded and with comprehensive booklet notes, this is a must for fans of 20th-century English repertoire.
EMR CD023 | THE STRAD