
EM Records is thrilled to announce the releases of no fewer than five new recordings this summer. The first of these, “The Sound of Hidden Music” (EMR CD084), is a collection of songs by Hubert Parry and is Paula Fan’s final recording in a legacy of remarkable recordings from this remarkable Chinese-American pianist, whose unique intellect remained ever curious and inquisitive. It is complemented in our catalogue by EMR CD086, works for voice and piano by Sir Arnold Bax, who was both Master of the King’s Music (under King George VI) and Master of the Queen’s Music (under Queen Elizabeth II); the disc is especially notable for the World Première recording of Bax’s twenty-five-minute setting of Dante Gabriel Rossetti’s celebrated poem “The Blessed Damozel”, which lends the recording its title.
Following their breathtaking debut at the 2024 English Music Festival, Excalibur Voices, under the direction of conductor Duncan Aspden, have collaborated with EM Records to produce a disc that is both an important and a stunningly beautiful addition to the choral repertoire. “And the Blackbird Sang” (EMR CD094) features a carefully curated selection of works that highlight the ensemble’s passion for English choral song, rhythmic suppleness, and musicianship rooted in poetry and storytelling. Among the highlights are several World Première recordings, including Herbert Howell’s “Creep Afore Ye Gang”, Robin Milford’s powerfully moving “Songs of Escape”, and Alan Rawsthorne’s evocatively resonant “A Rose for Lidice”.
“Beauty Veil’d” (EMR CD091), from the Berkeley Ensemble, features the first-ever recording of Dorothy Howell’s long-lost String Quartet in D minor, a remarkable rediscovery brought back to life through the meticulous work of the ensemble’s own viola player, Dan Shilladay. It forms the centrepiece of a disc that also features four other première recordings of works by Howell and her circle. By contrast, “Incandescent Incantations” (EMR CD095) consists entirely of World Première recordings of works for solo violin and for violin and reciter by three of Britain’s finest and most acclaimed contemporary composers. Joseph Phibbs’s effervescent, evocative and colourful Suite for Solo Violin is presented alongside Richard Pantcheff’s “To Autumn” — a celebration for reciter and and violin of poets including Elizabeth Barratt Browning, John Clare, John Keats and Robert Louis Stevenson — and Richard Blackford’s “Dreams and Spells”: an interpretation of Shakespeare’s “The Tempest”.