EMR CD086 | DETAILS
  EMR CD086
   
 

THE BLESSED DAMOZEL

   
  Jeremy Huw Williams (bar.)
Paula Fan (pf.)
   
  EAN 5 060263 500803

This disc contains works for voice and piano by Sir Arnold Bax, who was both Master of the King’s Music (under King George VI) and Master of the Queen’s Music (under Queen Elizabeth II). Throughout his life, Bax wrote around 125 songs, of which at least twenty are no longer extant but are mentioned in early lists of his music. This disc contains the World Première recording of the composer’s setting of “On the Bridge” by Thomas Hardy.

 

Also of special interest is the World Première recording of Bax’s twenty-five-minute setting of Dante Gabriel Rossetti’s celebrated poem “The Blessed Damozel”. Described by Bax as “a musical illustration”, with a recitation of the poem set to piano accompaniment, this work gives us a remarkable flavour of how may Bax have improvised in the company of his friends and contemporaries.

TRACK LISTING AND AUDIO EXTRACTS
     
Arnold Bax (1883–1953)
1. “THE BLESSED DAMOZEL” (World Première recording)  
2. “A MILKING SIAN”  
3. “THE WHITE PEACE”  
4. “SHIELING SONG”  
5. “TO EIRE”  
6. “ROUNDEL”  
7. “PARTING”  
8. “FAR IN A WESTERN BROOKLAND”  
9. “FOLK-TALE” FOR CELLO AND PIANO  
10. “JACK AND JONE”  
11. “WHEN I WAS ONE-AND-TWENTY”  
12. “THE MARKET GIRL”  
13. “RANN OF EXILE”  
14. “RANN OF WANDERING”  
15. “I HEARD A SOLDIER”  
16. “IN THE MORNING”  
17. “ON THE BRIDGE”  
18. “WATCHING THE NEEDLEBOATS”  

 

REVIEWS
Beautifully shaped by Benjamin Frith... Beguiling sounds, graced by the tawny richness and unexaggerated line of Richard Jenkinson’s cello playing... The sense of purpose and sureness of line of Ian Venables’ music is pure oxygen.
EMR CD31 | BBC MUSIC MAGAZINE
Exquisitely rewarding... Ravishing accounts.
EMR CD029 | CHOIR AND ORGAN
This is music of great beauty and integrity and the performances fully do it justice. It would be criminal to let it pass you by.

EMR CD028 | INTERNATIONAL
RECORD REVIEW

The Bridge Quartet approach these pieces with a sympathetic and insightful warmth, and confirm their ambassadorial credentials for British chamber music. A lovely, radiant disc.
EMR CD025 | Gramophone
Duncan Honeybourne’s playing is astonishingly affectionate, yet never saccharine... Honeybourne plays with suave confidence.
EMR CD024 | INTERNATIONAL PIANO
Rupert Marshall-Luck is an ideal interpreter: generously but not effusively lyrical; agile and athletic... The warm, folk-song like slow movement is at times almost painfully beautiful, with a shimmering pastoral central section... Marshall-Luck is, again, indefatigable and keenly picks up on the work’s melancholic strain.  Finely recorded and with comprehensive booklet notes, this is a must for fans of 20th-century English repertoire.
EMR CD023 | THE STRAD