EMR CD092 | DETAILS
EMR CD092

HEIR OF ALL THE AGES

Flutes and Frets

EAN 5 060263 500865

“Heir of All the Ages” spans four centuries of elegiac English music, brought to life by Beth Stone on flutes and Daniel Murphy on lutes and guitars. Ranging from the timeless works of Henry Purcell to music by influential figures such as Sir Malcolm Arnold, the disc reflects EM Records’s dedication to highlighting British composers throughout history.

The disc opens with the meditative “Christe qui lux es et dies III” by Robert White, featuring the deeply contemplative sacrum chant presented on solo flute. White’s Renaissance counterpoint finds a natural successor in the pavanes and galliards of Anthony Holborne, whose works lend a sense of continuity between sacred and secular forms. This sentiment continues in Holborne’s dances and later in Henry Purcell’s otherworldly evocation of a magical landscape in “The Fairy Queen”. Arranged by Daniel Murphy, Purcell’s work assumes a revitalised and nuanced character through the lute, while maintaining its playful yet lyrical idiom.

A highlight is the World Première recording of Henry Eccles’s Sonata Settima from his Second Livre de Sonates à Violon Seul et la Basse. Eccles, celebrated for his expressive and melancholic style, stands out as a remarkable example of musical diversity, blending elements from Italian, French and English traditions.

The second half of the disc showcases the flute’s lyrical versatility. Works such as Malcolm Arnold’s Fantasy for Flute introduce a captivating contrast between melodious and virtuosic writing; while the disc concludes with the World Première recording of Seth Bye’s “Bridge 12”, fusing urban and folk idioms and offering a contemporary reflection on place and identity.

Track Listing and Audio Extracts
Robert White (1538–1574)
1.
“CHRISTE QUI LUX ES ET DIES III”
Anthony Holborne (1545–1602) arr. Daniel Murphy
from “PAVANS, GALLIARDS, ALMAINS AND OTHER SHORT AEIRS”
2.
“The Night Watch”
3.
“The Cradle”
4.
“The Fairy Round”
attr. John Dowland (c. ⁠1563–1626)
5.
“TREMOLO FANTASY”
Nicholas Lanier (1588–1666)
from “SELECT AYRES AND DIALOGUES” BOOK 2
6.
“The Marigold”
7.
“Love’s Constancy”
Henry Purcell (1659–1695) arr. Daniel Murphy
from “THE FAIRY QUEEN”, Z.629
8.
“A Bird’s Prelude”
9.
Chaconne
John Eccles (1668–1735) arr. Daniel Murphy
10.
V. “Aire” from “The Mad Lover”
Henry Eccles (1670–1742)
SONATA SETTIMA from SECOND LIVRE DE SONATES À VIOLON SEUL ET LA BASSE
11.
I. Adagio
12.
II. Vivace moderato
13.
III. Aria: Andante
14.
IV. Fuga: Presto
John Stanley (1712–1786)
SONATA NO. ⁠2 from SIX SOLOS FOR A GERMAN FLUTE, VIOLIN OR HARPSICHORD, op. ⁠4
15.
I. Adagio
16.
II. Poco allegro
17.
III. Adagio
18.
IV. Menuet
Niel Gow (1727–1807)
from “A SECOND COLLECTION OF STRATHSPEY REELS, &c.”
19.
“The Caledonian Hunt’s Delight”
20.
“Garthland’s Strathspey”
21.
“Niel Gow’s Lamentation for the Death of his Brother”
22.
“Sir John Henderson’s Jigg”
John Henry Maunder (1858–1920) arr. Daniel Murphy
23.
“ESPAGNOLA”
John William Duarte (1919–2004)
“ENGLISH SUITE” NO. ⁠4
24.
I. Allegro non troppo
25.
II. Adagio cantando
26.
III. Presto
27.
IV. Giocoso
Malcolm Arnold (1921–2006)
28.
FANTASY FOR FLUTE, op. ⁠89
Seth Bye (b. ⁠1996)
29.
“BRIDGE 12”
REVIEWS
Beautifully shaped by Benjamin Frith... Beguiling sounds, graced by the tawny richness and unexaggerated line of Richard Jenkinson’s cello playing... The sense of purpose and sureness of line of Ian Venables’ music is pure oxygen.
EMR CD31 | BBC MUSIC MAGAZINE
Exquisitely rewarding... Ravishing accounts.
EMR CD029 | CHOIR AND ORGAN
This is music of great beauty and integrity and the performances fully do it justice. It would be criminal to let it pass you by.

EMR CD028 | INTERNATIONAL
RECORD REVIEW

The Bridge Quartet approach these pieces with a sympathetic and insightful warmth, and confirm their ambassadorial credentials for British chamber music. A lovely, radiant disc.
EMR CD025 | Gramophone
Duncan Honeybourne’s playing is astonishingly affectionate, yet never saccharine... Honeybourne plays with suave confidence.
EMR CD024 | INTERNATIONAL PIANO
Rupert Marshall-Luck is an ideal interpreter: generously but not effusively lyrical; agile and athletic... The warm, folk-song like slow movement is at times almost painfully beautiful, with a shimmering pastoral central section... Marshall-Luck is, again, indefatigable and keenly picks up on the work’s melancholic strain.  Finely recorded and with comprehensive booklet notes, this is a must for fans of 20th-century English repertoire.
EMR CD023 | THE STRAD